My Photographic Development Inspiration |
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I’d say my passion for photography started when I got my first SLR camera on my 18th
birthday. Before that I considered photography being a tool for keeping memories instead of the art I realized it is after
getting into the field. The summer after I turned 18 I spent time reading the manual, experimenting with the camera, and discussing
photography with my dad as he used to have a darkroom and did all his printing himself. The last year in High School I took
a very basic class in photography and I was then introduced to the darkroom. My interest increased so that I even linked photography
to other subjects in school. When we had special projects in Chemistry and Swedish I connected them to photography to develop
my skills. My photographic skills were still very basic after this, but they developed much further
when I came to the After Photo 1 I continued with Photo 2 with the same professor, and I also took Photo 68—a portraiture
workshop. In both these classes I got the opportunity to further develop my skills, especially when taking portraits. Even
though I’ve only taken a 3 unit online photo class during the three years that have passed since I took these two classes,
I’ve continuously practised photography on an amateur basis as I bring at least one camera wherever I go. Most of the
time I bring the digital, but as time and space allows it my SLR gets to come along. Unless the portrait is supposed to be
about something other than the subject, I like them when they really expose the person and her personality. Some types of
photographs that have been inspiring to me are the ones below.
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The “Torn Sweater”
pictures on James Dean are a really good example of what kind of portraits I like. They’re close ups, which I think
makes you feel more connected to the subject. They also seem to show how James Dean was—a rebel but yet very simple.
The lighting and his expressions help to increase the mystique around his character. Many people doesn't like closed
eyes on portraits, but I think in this case it works out perfect because of the mystique, but also because it’s a series
of pictures. |
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Richard Avadon—one of the greatest fashion photographers has captured
John Galliano in a great way. As the James Dean portraits, it’s a simple portrait, so the emphasis lies on the subject’s
expression, hand signal, and make-up/hair. It makes the subject look crazy, a devil? |
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